The Jellybricks gained a good deal of exposure through "International Pop Overthrow" appearances and friendships with other well-k...

The 1966 Album of the Year has finally been made, and leave it to those champions of all things fuzztone and paisley, the Chesterfield Kings...

Jeff Larson is the sound of California pop, conjuring the wisp of a summer's eve, the light breeze of an affecting melody, the warmth of...

The overal pop catchiness is quite the feat. Guitars and lyrics so hook-line-and-sinker leaving or ignoring is out of the question. I have n...

Nick Pipitone (ex-Sugarsmack) leads this power pop band from Milwaukee! Hooks guitars (+ keyboards) are in more than ample supply on their t...

The Tattle Tales have been waiting a long time to record their second album. But enoughs enough, and now it's finally time! BUT they des...

Though the Mockers have included a large cast of musicians hailing from all corners of the U.S. rock scene, the band's foundations were ...

A mix between the gothic inner city Americana of Lions & Ghosts and the sharp songwriting of the Pixies, American Mars came roaring out ...

The Greenhornes' third album for Hoboken indie Telstar changes very little (if any) of the group's standard formula. With the addit...

In the three-plus years following the release of 1997's The Fawn, the Sea and Cake's ever-busy membership dabbled in solo albums, to...

Evan Hillhouse is an 18-year old songwriter who has recently made his debut in the world of pop music. The solo album started when he and hi...

Plate Spinner continues Myracle Brah's talent for straight up power pop; still heavily influenced by Big Star and the Beatles, Myracle B...